{"id":369,"date":"2020-12-11T11:43:50","date_gmt":"2020-12-11T11:43:50","guid":{"rendered":"http:\/\/estadobruto.eu\/?page_id=369"},"modified":"2026-04-13T12:34:54","modified_gmt":"2026-04-13T11:34:54","slug":"art","status":"publish","type":"page","link":"https:\/\/www.estadobruto.eu\/?page_id=369","title":{"rendered":"GALERIA"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.estadobruto.eu\/wp-content\/uploads\/2023\/07\/006-scaled.jpg” title_text=”006″ _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”https:\/\/www.estadobruto.eu\/wp-content\/uploads\/2023\/07\/015-scaled.jpg” title_text=”015″ _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.estadobruto.eu\/wp-content\/uploads\/2023\/07\/021-scaled.jpg” title_text=”021″ _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Natalia Brilli<\/h4>\n

Exhibition Paradise Collection 2023,<\/span><\/h4>\n

\n

Designed in Belgium, handcrafted in Madagascar.<\/strong><\/p>\n

The Paradise Collection<\/strong>\u00a0transforms natural raffia into elegant, sculptural pieces. Each work balances organic texture with contemporary design, celebrating artisanal craftsmanship and sustainable materials.<\/p>\n

Drawing inspiration from nature and the subtleties of light and shadow.\u00a0The collection invites viewers to experience the tactile beauty of natural fibers, the rhythm of weaving, and the delicate interplay between material, form, and space.<\/p>\n

 <\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.5″ _module_preset=”default” min_height=”1400px” custom_margin=”||249px|||” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.27.5″ _module_preset=”default” min_height=”650.3px” custom_padding=”27px|||||” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.estadobruto.eu\/wp-content\/uploads\/2026\/04\/Zeromovement.jpg” _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.5″ _module_preset=”default” width=”100%” custom_padding=”|0px||||” global_colors_info=”{}”]<\/p>\n

Nathalie Campion<\/h4>\n

Zero movement & Echoes of Vieira da Silva,<\/span><\/p>\n

On view at ESTADOBRUTO Gallery from May 21 to September 2026.<\/strong><\/p>\n

<\/h4>\n

\n

Nathalie Campion\u2019s wall pieces sit between drawing and architecture. Through lines, modules and layered structures, she constructs fragmented spaces where the eye circulates freely without settling.<\/p>\n

These works evoke unstable maps and imagined cities, resonating with Portuguese abstraction and the spatial labyrinths of Maria Helena Vieira da Silva. Here, drawing becomes material.<\/p>\n

In ceramic, line gains weight and structure becomes physical: surfaces fracture, volumes emerge, and gaps open into passages and thresholds.<\/p>\n

Each piece explores the idea of the \u201cenvelope\u201d as a porous membrane between interior and exterior, shaping a sensitive, in-between architecture.<\/p>\n

\n

\n

 <\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.estadobruto.eu\/wp-content\/uploads\/2026\/04\/ZERO-_-4-A-spectrum-of-presence-2025_26-H67xL103XP17-cm-@martin-Tissot-copie-1024×683.jpg” title_text=” of presence – 2025_26 – H67xL103XP17 cm @martin Tissot – – copie” _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.17.3″ _module_preset=”default” custom_margin=”128px|||||” top_divider_style=”slant” top_divider_color=”rgba(234,234,234,0.61)” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.estadobruto.eu\/wp-content\/uploads\/2023\/07\/012-scaled.jpg” title_text=”012″ _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”https:\/\/www.estadobruto.eu\/wp-content\/uploads\/2023\/07\/019-scaled.jpg” title_text=”019″ _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.17.3″ _module_preset=”default” custom_padding=”||0px|||” global_colors_info=”{}”]<\/p>\n

Alain Richard<\/h4>\n

Exhibition Gravity 2022,\u00a0<\/p>\n

Through his lens, Richard captures moments suspended in time, highlighting the interplay between gravity, light, and form. Each photograph invites the viewer to contemplate movement, stillness, and the hidden dynamics that structure our environment.<\/p>\n

Gravity <\/strong>reflects Alain Richard\u2019s meticulous attention to composition and his fascination with the invisible forces that govern the world around us, transforming everyday scenes into poetic visual narratives.<\/p>\n

[\/et_pb_text][et_pb_image src=”https:\/\/www.estadobruto.eu\/wp-content\/uploads\/2023\/07\/014-scaled.jpg” title_text=”014″ _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.17.3″ _module_preset=”default” top_divider_style=”slant” top_divider_color=”rgba(234,234,234,0.61)” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.estadobruto.eu\/wp-content\/uploads\/2022\/04\/023-copy.jpg” title_text=”023 copy” _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”https:\/\/www.estadobruto.eu\/wp-content\/uploads\/2022\/04\/IMG_3554-2-copy-scaled.jpg” title_text=”IMG_3554 2 copy” _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”https:\/\/www.estadobruto.eu\/wp-content\/uploads\/2023\/07\/022-scaled.jpg” title_text=”022″ _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Vintage<\/h4>\n

[\/et_pb_text][et_pb_image src=”https:\/\/www.estadobruto.eu\/wp-content\/uploads\/2023\/07\/010-scaled.jpg” title_text=”010″ _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”https:\/\/www.estadobruto.eu\/wp-content\/uploads\/2022\/04\/016-copy-scaled.jpg” title_text=”016 copy” _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Natalia Brilli Exhibition Paradise Collection 2023, Designed in Belgium, handcrafted in Madagascar. The Paradise Collection\u00a0transforms natural raffia into elegant, sculptural pieces. Each work balances organic texture with contemporary design, celebrating artisanal craftsmanship and sustainable materials. Drawing inspiration from nature and the subtleties of light and shadow.\u00a0The collection invites viewers to experience the tactile beauty of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-369","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.estadobruto.eu\/index.php?rest_route=\/wp\/v2\/pages\/369","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.estadobruto.eu\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.estadobruto.eu\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.estadobruto.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.estadobruto.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=369"}],"version-history":[{"count":20,"href":"https:\/\/www.estadobruto.eu\/index.php?rest_route=\/wp\/v2\/pages\/369\/revisions"}],"predecessor-version":[{"id":898,"href":"https:\/\/www.estadobruto.eu\/index.php?rest_route=\/wp\/v2\/pages\/369\/revisions\/898"}],"wp:attachment":[{"href":"https:\/\/www.estadobruto.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=369"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}